Three years have passed since the release of Cohen’s critically acclaimed Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. Notable for it’s extremely offensive brand of humor, Borat also brought something to theaters that was rightly labeled as revolutionary–a candidly thorough skewering of contemporary America (especially the notion of cultural tolerance). It’s 2009, and Cohen has now unleashed Bruno, a film that sets its sights specifically on two things: America’s pervasive, nearly insatiable obsession with stardom and–as you may have guessed–its perceptions/treatment of the homosexual community.

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